Words on Pictures

The Language of the Public "The thing is I decided that the classes of the John Cotton Dana classification just could not serve an artist public, or a general public...  so the thing is that I became convinced that an A-to-Z file would not serve  the public. That a simple alphabetic arrangement, such as Newark had, did not  group the material logically from its visual contents.  I decided then that the only thing to do would be to begin recording the language of the public in asking for the pictures, and that was begun as soon as I took over. Since there was no catalog of subject headings available, there was no catalog of subject headings at all by the way, since there was no catalog when the borrower came in he used his own language, and that language could be analyzed and those (became) headings.  At first it was used to show the trends and needs to guide the buying. Then it became obvious to me that unless we set up a subject heading scheme based on the lan guage used by the p

Reaching the People: The Picture Collection's Farm Security Administration Photographs Grandmother from Oklahoma and her pieced quilt. California, Kern County (1936). Dorothea Lange (1895-1965). This Dorothea Lange photograph is one of several carefully selected images from the Farm Security Administration series that are reproduced in my new book, Words on Pictures: Romana Javitz and the New York Public Library’s Picture Collection. (Photo|Verso: New York) Javitz was a close friend and colleague of the head of the FSA’s Historical Section, Roy D. Stryker. Stryker’s mission was to get the photographs of the conditions wrought by the Great Depression out to the public and the Picture Collection was the perfect venue. Not only did over 40,000 photos eventually find their way into the circulating stock, complete exhibitions were also prepared and distributed throughout the NYPL Branches, department stores and other sites. In one instance Stryker assembled a large print ex

The history of the use of visual mateials and photography in the arts, the sciences and in commerce cannot be told without Romana Javitz and the story of her 40-year career as the supervisor of the New York Public Library’s Picture Collection.  The New York Public Library’s Picture Collection has been circulating photographs, clippings, prints and postcards to the public for over 105 years. It is a free picture reference service used by many important industries that need visual resources for their work.  Still operating out of t he Stephen A. Schwarzman Building at 42 nd  Street,   the Picture Collection remains an important resource for teachers and historians, designers and illustrators, as well as artists and photographers. It is, at almost 1.5 million images, considered an encyclopedia of pictures that encapsulates the age of mechanical reproduction.  The texts presented in Words on Pictures highlight the career of Javitz, who, as superintendent of the Picture

  NYPL Picture Collection Source Files   Words on Pictures: Romana and the New York Public Library’s Picture Collection .  edited by Anthony T. Troncale. New York:  Photo | Verso Publications, LLC , 2020.    ISBN 978-1-7346409-0-8 (hardcover)   Identifiers ISBN    978-1-7346409-1-5 (ebook) Picture Collection Source Files The Picture Collection began sourcing their files soon after Javitz became its Superintendent in 1929.  If an illustration was clipped from a book or portfolio the plate would be assigned a Source Number which would lead you back to a catalog card listing its provenance, bibliographic information, or if it was a gift or purchase.  Today this source file index and its accompanying index to periodicals that have been clipped are valuable research tools. Courtesy, New York Public Library, Miriam and Ira D. Wallach Division of Art, Prints and Photographs. Picture Collection. #photography, #visual arts, #photographers, #visualresources, #librarians, #documentation

Romana Javitz, ca. 1950. photo: Sol Libsohn (Yampolsky Coll.) Headline: "Library not art snob, picture chief says".  Toronto Globe & Mail, November 30, 1946 Romana Javitz was interviewed by the Toronto Globe & Mail, November 30, 1946 while she was attending the annual conference of the Special Libraries Association where she gave a speech. The below excerpt of the interview perfectly encapsulates her position on visual literacy as something bigger than art, broader than aesthetics, and the Picture Collection's populist approach to selection. " Library not art snob, picture chief says " “Since the development of the camera in 1839, we have available to us a picture of almost every aspect of the history of man”, said Romana Javitz, head of the picture service of the New York Public Library. “We can see pictures of man’s wars, his triumphs, the kind of food he likes, the women he loved, the kind of dances he did and the kinds of houses in which h

New York Public Library's Picture Collection, 1940s. Photo by Wurts Bros. New York Public Library Archives ( Visual Materials, RG10 ).  Worth Beyond Words: Romana Javitz and NYPL Picture Collection.  The general public, especially outside the New York City area, is not familiar with the uniqueness of the New York Public Library's Picture Collection. It provides, much like books, the free circulation of prints, photographs, postcards and other clippings, all arranged using subject classification. And they have been doing it since 1914!  T he story of the origination of the Picture Collection and the career of Romana Javitz (1903-1980) can be found in an essay I wrote in 1995 for  the NYPL journal  Biblion: Worth Beyond Words: Romana Javitz and The New York Public Library's Picture Collection Here is an excerpt: " Within two years of the opening of The New York Public Library's Central Building in 1911, the Print Room found itself overwhelmed with requests for p