Romana Javitz on cinema and the document
Cinema and the Document
"The slow appreciation of the cinema as an art
form
may be laid at the oversight of dual but compatible functions of all
art, of all pictorial productions. While the moving pictures document
and record realistically
that which we have seen, experienced and
heard, nevertheless they are designed and produced under the same basic
principles which condition all other types if pictorial composition.
Consideration of any film discovers that the amount of story-telling
elements and the subjective content is slight when compared to the
amount of
production craftmanship required to make the finished work.
Photography in the moving film form has within its projected image
every element of art, merged into a whole by editing, direction and
conception of the relations of time sequences
of events portrayed, of
images moving and the balance of tone, light, sound and shape. And just
as other art forms, moving pictures are good sources for facts... All
films, whether fantastic, comic, unreal or stupid are useful in a
library. They, bad or good, record the times in which they were popular,
the moral and social standards, the level of beauty, fashions and
humor.”
On Pictures in a Public Library. 1939. Words on Pictures. Ch. 1, p.14.
[Vaudeville Theater advertising the silent movie Tigris next to the Brill
Building at 46 Broadway, Times Square.] c.1913. Yampolsky Collection.
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